Shen Fan

The richly hued monochromatic patterns and organic forms for which Shen Fan is known to draw on Western Minimalism, but maintain a distinctly Chinese character, not least because they are painted on rice paper. The repetition of abstract shapes overcomes any strains of individualism or desire for self-expression the artist might harbour, striving instead for the spiritual transcendence of the simplest of forms. Shen began abstracting his landscapes when he switched from ink-wash oil paint in the 1980s and has experimented with mixed-media installations.

Regarded as one of China's most important and pioneering figures, his works are included in the textbook 'Art', a compulsory reading for grade nine students in China. For Passing of the Seasons, Shen Fan pivots the timeline towards the modern era, when newspapers were the primary medium for disseminating information. The several hundred square meters of terrazzo patterns that make up his artwork are abstract interpretations of newspapers, all drawn from passages closely related to the history and collections of the Shanghai Library East. The dynamic brass decorations are the punctuation marks that contributed to the development of the modern Chinese language.

UAP Shanghai is proud to have helped deliver this work with Shen Fan from digital models, artwork samples, material explorations, construction methodologies and installation plans.