Indigenous Architects, Artists to Lead Redevelopment of Cook’s Landing Place
Alison Page and Nik Lachajczak, in collaboration with UAP, brings to life 'The Eyes of the Land and Sea' at Captain Cook's landing place in Kamay Botany National Park. The monumental artwork symbolises both the ribs of the Endeavour and the bones of a whale (a Gweagal totem).
Featured on the front page of The Sydney Morning Herald is Alison Page and Nik Lachajczak’s The Eyes of The Land and The Sea. This large-scale public art installation commemorates the 250th anniversary of the 1770 encounter between Aboriginal Australians and Lt James Cook’s crew of the HMB Endeavour at Kamay Botany Bay National Park, Australia.
The Eyes of The Land and The Sea was recently installed as part of the redevelopment of the site, and tells a story of all Australians discovering their true history as we move together towards a truly reconciled nation. It was an absolute pleasure to collaborate with Alison and Nik on this incredible project.
To read the full article click here.
Further reading
Read full Sydney Morning Herald article
#相关文章
Polly Borland's BOD at Marfa Invitational in Texas
Installed amongst the high Chihuahuan Desert plains, Polly Borland's BOD will be amongst the ethereal light and expansive space of far West Texas and the historied backdrop of Marfa.
Leonie Rhodes: Authenticity, Identity, and Connection Over Standing Out From the Crowd
An award-winning Non-binary artist and facilitator from South London, now working from Brisbane on unceeded Jagera and Turrbal land.
Launch of Bondi Memorial: Rise
A place of quiet and ongoing reflection where we can recognise this devastating history together as a community whilst marking the forward-moving social progress made through ongoing changing attitudes in society.